Communication → Cinema
Organizations relating to Cinema
European Children\'s Film Association / Brussels, Belgium / Est. 1988
European Convention on Cinematographic Co-production / Strasbourg, France / Est. 1992
International Cinema and Television School / Artemisa, Cuba / Est. 1986
Europa Cinemas / Paris, France / Est. 1992
International Confederation of Art Cinemas / Paris, France / Est. 1955
European Association for Studies in Screen Translation / Macerata, Italy / Est. 1995
Coordinator of Latin American Cinema and Communication Indigenous Peoples / Est. 1985
SIGNIS Africa / Niamey, Niger / Est. 1976
Union internationale du cinéma / Lana, Italy / Est. 1937
World Organization for Research and Development into the Therapeutic Use of Motion Pictures / London, UK / Est. 1988
European Film Academy / Berlin, Germany / Est. 1991
Foundation of New Latin American Cinema / Havana, Cuba / Est. 1985
EUROCINEMA / Brussels, Belgium / Est. 1991
Society of Motion Picture and Television Engineers / White Plains NY, USA / Est. 1916
Latin-American Federation of Cinematographic and Audiovisual Producers / Madrid, Spain / Est. 1997
European Digital Cinema Forum / Henstridge, UK
World Cinema Foundation / Geneva, Switzerland / Est. 2007
Domitor - International Association for the Study of Early Cinema / Milwaukee WI, USA / Est. 1985
International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its Territories and Canada / New York NY, USA / Est. 1893
Barcelona International Cinema Academy
SIGNIS Asia / Colombo, Sri Lanka / Est. 1976
ACE Producers / Amsterdam, Netherlands / Est. 1993
Latin-American Federation of Exhibitors and Distributors of Independent Cinema / Caracas, Venezuela
MEDIA Salles / Milan, Italy / Est. 1991
International Sporting Cinema and Television Federation / Milan, Italy / Est. 1982
World Problems relating to CinemaFrom the Encyclopedia of World Problems and Human Potential
Action Strategies relating to CinemaFrom the Encyclopedia of World Problems and Human Potential
Maintaining inclusive societal picture
Developing cinema art
Conserving cinematographic heritage
Professionalizing francophone cinema
Setting procedures to screen drugs and medical technologies
Providing screen for philosophical questions
Educating cinema critics
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